Esther's Tunic Jumper Knitting Pattern
By Spud and Chloe
Specifications
| Brand: | Spud and Chloe |
| Yarn Weight: | Worsted |
| Designer: | K. TenDyke |
| Craft: | Knitting |
| Format: | Downloadable PDF |
| Techniques and Construction: | Bottom Up, Seamless, Stripes, Worked In The Round |
| Pattern Code: | 9520 |
Product Description
Esther's Tunic Knitting Pattern
Garment Overview
Esther's Tunic is a seamless knitted sweater designed by Spud and Chloe, worked from the bottom up in the round. This versatile piece features horizontal stripes and is available in eight sizes ranging from 3XS to 2XL, with finished measurements from 24½ inches to 50¾ inches. The tunic combines classic construction techniques with modern colorwork, making it suitable for knitters seeking a straightforward yet visually striking project.
Construction Techniques
This pattern employs several key knitting techniques that define its construction:
- Seamless, Worked in the Round: The tunic is constructed entirely in the round using circular needles and double-pointed needles, eliminating the need for seaming. This method creates a continuous tube of fabric from the cast-on edge upward.
- Bottom-Up Construction: The garment is worked from the hem upward, allowing for easy adjustments to length and straightforward increases for shaping.
- Stripe Patterning: Horizontal stripes are incorporated throughout the design using the jogless join technique to create clean color transitions without visible steps at the beginning of each new round.
- Jogless Join Technique: When changing colors in the round, the pattern uses a specialized jogless join method. This involves knitting one round in the new color, then lifting the first stitch from the previous round onto the left needle and knitting it together with the first stitch of the new color, creating seamless stripe transitions.
Stitches and Stitch Patterns
The pattern utilizes fundamental knitting stitches combined into cohesive stitch patterns:
- Stockinette Stitch: The primary stitch throughout the body of the tunic, creating a smooth, classic fabric texture. Gauge is established at 17 stitches and 22 rounds per 4 inches in stockinette stitch.
- K2, P2 Rib: Used for the ribbed cuff at the hem, worked over a multiple of 4 stitches. The rib section measures 5½ inches for the smallest sizes (3XS, 2XS, and XS) and 5 inches for larger sizes (S through 2XL), providing stretch and a finished edge.
- Knit 2 Together (K2tog) and Slip, Slip, Knit (ssk): Decrease stitches used in decrease rounds to shape the tunic. These decreases are worked symmetrically on either side of stitch markers to maintain balanced shaping.
- Make 1 (M1): Increase stitch used to expand the garment width during construction.
Shaping and Sizing
The tunic features strategic shaping through increase and decrease rounds. Increase rounds use the M1 technique positioned 2 stitches from stitch markers, while decrease rounds employ K2tog and ssk decreases positioned 3 stitches from markers. The pattern repeats shaping sequences to achieve the desired silhouette. Cast-on counts vary by size, ranging from 96 stitches for the smallest size to 208 stitches for 2XL, with corresponding finished measurements scaling proportionally.
Materials and Tools
The pattern requires circular needles and double-pointed needles (DPNs) for seamless in-the-round construction. Yarn is worked in two colors: a main color (MC) and a contrasting color (CC) for the horizontal stripes. The photographed sample features Spud and Chloe yarn in Pollen #7508 as the main color and Skydiver #7520 as the contrast color. When working with multiple colors in the round, the unused color is carried along the inside of the work, minimizing bulk and maintaining even tension.
Pattern Abbreviations and Special Techniques
The pattern employs standard knitting abbreviations including K (knit), P (purl), Rnd (round), CO (cast on), BO (bind off), Cir (circular), DPN(s) (double-pointed needles), Beg (beginning), MC (main color), and CC (contrast color). The wyif abbreviation indicates working with yarn in front. Special attention is given to color management during stripe work, with instructions for carrying unused colors and executing the jogless join to maintain clean visual transitions between color changes.
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